Hirokazu Kore-eda’s latest film adaptation centers on a world populated almost entirely by children, with adult figures relegated to minor roles in the background. The director’s interpretation of Tatsuki Fujimoto’s manga presents a narrative that occasionally leans heavily on sentimentality, particularly during its opening sections. However, the work gradually transcends this initial sweetness to reveal itself as a meaningful exploration of how personal relationships and shared experiences matter more than individual accomplishments.
The story follows Fujino, a talented manga artist who initially dominates her school’s creative scene until a mysterious classmate named Kyomoto emerges with equally impressive work. Rather than accepting this competition, Fujino becomes obsessed with reclaiming her status as the best. When the two eventually meet and begin collaborating, their partnership flourishes, with Fujino handling narrative and character design while Kyomoto contributes detailed backgrounds. Their collaborative efforts attract publisher attention, leading to early success in the competitive manga industry.
Tensions arise when the girls’ paths diverge after high school, with Kyomoto choosing art school over a publishing opportunity that Fujino eagerly pursues. This divergence triggers a dramatic narrative turn that initially appears troubling but ultimately reinforces Kore-eda’s humanistic philosophy. The film suggests that human connection and mutual growth hold greater significance than professional achievement or individual recognition, inviting audiences to embrace its central message about the value of genuine friendship and creative partnership.
Originally reported by Variety →
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