Filmmaker Jane Schoenbrun has established themselves as a distinctive voice in horror cinema, beginning with the unsettling 2021 debut “We’re All Going to the World’s Fair” and continuing with the acclaimed “I Saw the TV Glow.” Their latest project, “Teenage Sex and Death at Camp Miasma,” shifts toward comedic territory while maintaining the genre’s darker elements, centering on themes of queer identity and joy.
The film stars Hannah Einbinder, known for her work on “Hacks,” as Kris, an independent filmmaker tasked with reviving a dormant slasher franchise. Her character journeys to an abandoned campsite to collaborate with Gillian Anderson’s portrayal of an aging actress who starred in the original films. Their partnership involves navigating the legacy of the long-running horror series while encountering the supernatural killer that haunts the location.
During an appearance on Mashable’s “Say More” program, Schoenbrun and Einbinder discussed their creative process with Entertainment Editor Kristy Puchko. The conversation touched upon the film’s darkly comedic tone, the contemporary resurgence of sexuality-focused cinema, and various pop culture tangents including confectionery preferences and musical references.
“Teenage Sex and Death at Camp Miasma” is currently available exclusively in theaters, offering audiences a unique blend of horror and comedy with metafilmic elements.
Originally reported by Mashable →
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